きのう手を止めておいた制作途中のものを、あさアトリエ入りしたら あたま働いていない状態ですぐ眺める。 いい悪いがすぐわかる。あさは正しくいつも助けられます。 I have the habit of looking ealry morning on the day before in production. and then I grasp immediately good or bad of work last night. It seems an effect on under half asleep conditions. I can do correct judgement every morning and,always it time help me.
A few days ago, I went toTamotsu Yagi: An Exibition on Paper & Graphic DesiginIn Takeo Mihonchou near Jimbocho station. I felt the most impressive part of the exhibition was the calligraphy his parents made when he was born. Simple, yet beautiful! I think that those who are able to keep traditions alive from one generation to the other, understand the meaning of craftsmanship. It's the basis for making things.
今日一日の振り返りは、どのように作るかではなく、なぜ作るか。 「なぜ」の再確認はほんとうに重要。仕事の軸です。 Looking back at my work day. It's more important for me to remember "Why to make?" rather than "How to make?" "Why to make"is like the axis for my work.